Friedl vom Gröller Movies

NEC SPE, NEC METU follows upon Gutes Ende (Bliss) and Ich auch, auch, ich auch (Me too, too, me too), and it is the third film of Friedl vom...

The longtime friend and photographer Heidi Harsieber with Friedl vom Gröller in an early, very charming portrait, in which the young women still...

16mm short film

“This unwavering attitude as well as his decision to develop his own film style under and with financially difficult circumstances are the...

In this work the situation of shooting film as experienced by the subject and filmmaker is most clearly visible in the loving and then hurt facial...

The filming of my discomfort at being a woman between the ages of 60-70 in our society has the function of a valve. It is based on the...

“La mia Camera” means my room, a balcony with curtains, (and my film camera). The main characters are the wind and its dancing playmate,...

Im Wiener Prater is not about the amusement park that one normally associates with this name. The spectacle in the film takes place in a much more...

Past the newsstand, the hairdressers, by the dry cleaners. A door opens into a sick room. A very old woman lies there in her bed. Her body is...

A day inside the charming hair salon of Veronique Gizard, on the corner of Rue de Bagnolet and Rue Planchat in Paris’s 20th arrondissement....

A cheerful ritual in praise of Mami Wata, a mermaid-like water spirit of life, sex and healing. A joyful show of Friedl vom Gröller's particular...

Winter in Paris begins with a still-life of a window sill and beautifully detours to a gruesome-erotic allegory of death.

Close-ups of people's faces—psychoanalysts—reading Gröller's protocols. The fire inexorably burns through the paper. The notes about...

Dedicated to the Paris Poetry Circle, this film captures the filmmaker's yearning for and unbridled interest in the human face. Poems are recited,...

A short film by Austrian experimental film maker Friedl vom Gröller.

The film by photographer and filmmaker Friedl vom Gröller is the short portrait of a woman full of secrets. The viewer can observe her but is...

Filmed photo portraits Erwin, Toni, Ilse, is one of Friedl Kubelka’s first films. Influenced by the Nouvelle Vague and Existentialism, it was...

Endure tension, endure intimacy.

A bowl on the ground. The fallen leaves around it reference autumn. A letter enters the frame—aged hands tear it up, and its pieces fall into...