Friedl vom Gröller Movies

The setting of the film was simple and straightforward: the now 77-year-old Friedl vom Gröller asks a (homosexual) escort to do a nude film...

A wink to the reaper that awaits us all, smile on the lips.

Portrait of the artist’s mother as an old woman. A farewell vignette, a final sketch from her nursing home, silent, aloof, clumsy, metallic...

An ongoing portrait of Max Turnheim that begun in 2002 when he was 20 years old.

Friedl vom Gröller´s Rust starts by gazing into the strained face of the saint. The artist herself reads "Holzschnitt", or woodcut, rather...

Filmmakers love shooting through windows, the various lockdowns were proof of that. Friedl vom Gröller, however, decided with typical...

The focus narrows to short cuts relating to the place were the footage was shot, then moves to the portrait´s subject, Franz West, sitting at a...

Wedding is a meta-amateur film, a reflection and a condensation of its form: black and white, silent, 16mm, and only two minutes long. A married...

Although this film does not follow the genre of the city portrait in any way whatsoever, it nonetheless presents a documentation of the...

In Maya Deren’s AT LAND, each vision of a foot hitting the ground took us into a new space via the magic of montage. DAS RAD works a similar...

Based on the unusual idea that God's anus is visible on nights of the full moon, and determined to make a taboo visible, Friedl vom Gröller does...

An elusive 16mm miniature from the legendary Friedl vom Gröller, Conditio Humana intersperses footage of the crumbling sandstone façade...

It's composed of multiple jump-cut close-ups of a beautiful Roman Bacchante bust with garland braid and vacant eyes in the Louvre, as students and...

Gaelle Obiegly is a film about not being able to see, and a reversal of the gaze.

May 2012 is composed of three visual elements. In the momentary opening shot the camera spies on riverside joggers from the Donaumarina U-Bahn...

Portrait of the artist’s mother as an old woman. A farewell vignette, a final sketch from her nursing home, silent, aloof, clumsy, metallic...

Four young women present themselves seductively, self confidently and with some signs of shame. The camera´s low angle creates – in spite...

Adama Diouf is an acquaintance, a neighbor, and a scholar, “… [A] covert mayor of Ziguinchor in southern Senegal. The formal philosophy...

Men, their faces in close-up, gazing face first into the camera one after the other is the opening motif of this barely three-minute film, which only...