Gary Hill Movies

  • 1978
    Primary

    Primary

    Primary

    01978HD

    The artist’s mouth fills the whole image plane. Silently the words “red,” “blue,” “green” are slowly and...

    Primary
  • 1981
    Primarily Speaking

    Primarily Speaking

    Primarily Speaking

    01981HD

    This work is the single-channel version of a multi-channel installation of the same name. The picture plane is divided into a left and a right half....

    Primarily Speaking
  • 1980
    Commentary

    Commentary

    Commentary

    01980HD

    “Made just before Around & About, this work is something of a ‘manifesto in jest’ against television…. I’m a sit-in...

    Commentary
  • 1986
    URA ARU

    URA ARU

    URA ARU

    01986HD

    Recorded on location in Japan, this work was inspired by the notion of “acoustic palindromes,” aural versions of written palindromes,...

    URA ARU
  • 1979
    Resolution

    Resolution

    Resolution

    01979HD

    A single solid white line rotates 180 degrees, beginning at a vertical position in the middle of the screen. At first, it forms...

    Resolution
  • 1976
    Mesh

    Mesh

    Mesh

    01976HD

    A fixed color camera is slightly defocused on the wire mesh of a window screen. Outside the window the leaves of trees are moving with the wind. The...

    Mesh
  • 2004
    Gary Hill: I Believe It Is an Image

    Gary Hill: I Believe It Is an Image

    Gary Hill: I Believe It Is an Image

    02004HD

    In this program video artist Gary Hill uses a number of his pieces to investigate otherness and ambiguity, dislocation of the senses, the boundary...

    Gary Hill: I Believe It Is an Image
  • 1977
    Bits

    Bits

    Bits

    01977HD

    Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...

    Bits
  • 1980
    Processual Video

    Processual Video

    Processual Video

    01980HD

    This piece was originally planned by the artist as a reading for the Viewpoint series at New York’s Museum of Modern Art. “It was an...

    Processual Video
  • 1980
    Project Tesla

    Project Tesla

    Project Tesla

    01980HD

    This rarely screened film was used to raise funds for the making of Energy and How to Get It. High-energy physicist Robert Golka was granted a lease...

    Project Tesla
  • 1977
    Bits

    Bits

    Bits

    01977HD

    Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...

    Bits
  • 1978
    Elements

    Elements

    Elements

    01978HD

    One of the earlier works Hill produced on the Rutt/Etra video synthesizer, Elements combines abstract “landscapes” with fragmented...

    Elements
  • 1983
    Happenstance (part one of many parts)

    Happenstance (part one of many parts)

    Happenstance (part one of many parts)

    01983HD

    The associative stream of images and sounds treats the word as an abstract structure. Spoken and written text flows from image to image, morphing...

    Happenstance (part one of many parts)
  • 2012
    Cutting Corners Creates More Sides

    Cutting Corners Creates More Sides

    Cutting Corners Creates More Sides

    02012HD

    Two channel video installation. A spoken text …rummages through piles of surplus; boxed accouterments and that unaccounted for...

    Cutting Corners Creates More Sides
  • 1984
    Why Do Things Get in a Muddle? (Come On Petunia)

    Why Do Things Get in a Muddle? (Come On Petunia)

    Why Do Things Get in a Muddle? (Come On Petunia)

    01984HD

    This tape is the first of Hill’s works for which he deliberately wrote a screenplay. The title defines the piece’s starting point: Alice...

    Why Do Things Get in a Muddle? (Come On Petunia)
  • 1989
    Site/Recite (a prologue)

    Site/Recite (a prologue)

    Site/Recite (a prologue)

    01989HD

    With startling precision, Site/Recite moves across and around a table-top graveyard — bones, butterfly wings, egg shells, seed pods, crumpled...

    Site/Recite (a prologue)
  • 1980
    Black/White/Text

    Black/White/Text

    Black/White/Text

    01980HD

    Using the phenomenon of inverted (or negative) video feedback, this work constructs a one-to-one correspondence between recited text and image. Black...

    Black/White/Text
  • 1988
    Disturbance (among the jars)

    Disturbance (among the jars)

    Disturbance (among the jars)

    01988HD

    Disturbance (among the jars) is a multi-lingual adaptation of selected Gnostic texts from the Nag Hammadi library discovered in 1945/46. The...

    Disturbance (among the jars)
  • 1986
    Mediations (towards a remake of Soundings)

    Mediations (towards a remake of Soundings)

    Mediations (towards a remake of Soundings)

    01986HD

    “The beginning of a remake of an earlier work [Soundings, 1979] in which I wanted to extend the reflexivity of each text in relation to the...

    Mediations (towards a remake of Soundings)
  • 1974
    Rock City Road

    Rock City Road

    Rock City Road

    01974HD

    Recorded in Woodstock, New York, Rock City Road incorporates multiple levels of rescanned images of walking on different surfaces, including pavement...

    Rock City Road