Dominik Lange Movies

No-one could care less about tectonic plates, no more than they could about the 1940s; the same goes for the melting of the north and south poles &...

Natural devices are used directly during the shooting process to transform the image with the help of moving mirrors, animated by the surface of...

This film is composed of a series of very short shots. The two principal motifs are human and vegetal, with a few animals briefly glimpsed in...

This opus could be interpreted as a long and elegiac version of the Danse des primates au musée d'histoire naturelle.

"...Chrysalides use[s] the movie camera as a still camera, flickering between different stills of natural forms, proving once again that movement is...

A stroll in the forest sharpens the senses ...

Unsual stroll takes the viewer in a furious whirl of colors and forms, at the bend of a lost path in an industrial wasteland, among tagged walls,...

A stripped-down visual sonata, in which elements of Lange's habitual cinematic universe (wall, wasteland, city square, cars ...) are captured by a...

I wanted to reach the farthest point of my interior landscape, but I have never been able to reach the same place twice! Was it some kind of...

I borrowed a cellphone from one of my colleague at the office, Marie who makes video installations herself, looping cellphone recordings of her...

The film-maker lets his eye wander along a glistening stream; he is both fascinated by nature and melancholically introspective.

Strolling through Paris successively takes us to the Jardin des Plantes where the gardener's mower lets bloom bunches explode; then to the Daumesnil...

"For best viewing, use red cyan anaglyphic 3D glasses, and view from three to four feet from your monitor. You can therefore see the amazing inverted...

The twilight and half-closed vision of the blinding bursts barely reveals fleeting and luminous unexpected phosphorescences, through and through the...