Malcolm Le Grice Movies

From the earliest point when I started to make film one of the biggest influence on my way of thinking came from Franz Kafka. In particular the...

A person walks backwards and forwards across two white screens casting a shadow, later his actual shadow is joined by pre-filmed shadows performing...

Loops. "A four screen film projection onto four vertically placed screens, which span the gallery space from floor to ceiling. The wall surface is...

A simple event becomes rhythmically complex through changes of speed and multiple superimposition. The title refers to the inevitable inclusion of...

First titled Jazz Punk, this work is based on a series of drawings I made over a number of years of heads inspired in part by punk styles. These were...

Film performance, using a back projection screen as well as several projection sources, including a red and green source close together (requires 3D...

A double projection of images of lapping water and the Battersea Power Station all transformed by negative positive superimposition creating a moving...

A nostalgic exploration, comprising fragments of reworked 9.5mm home movie footage. The deterioration of the original film, like memories,...

"My experience of Monet’s large-scale panoramic paintings of his water lily garden when I was about 14 years old became a crucial artistic...

Directed by Malcolm Le Grice. "It nears the end of the political paranoid works using found military documentary images. It explores a complex form...

Self Portrait looks for an approach to a specific relationship between the duration of a work and material conditions in the projection as did...

As the title indicates this is a deliberately academic work, conceived in much the same way that a composer might make a 'study'. It is not about a...

"This is a two screen film where a full frame colour field slowly changes from blue to towards green over a period of about six minutes. The film has...

Blind White Duration is a film concerned with constructing an experience from limited perceptions. The viewer is introduced to a limited range of...

This film was made by punching circular holes into fully opaque film stock and laying discs of colour film into some of the punched holes. Only the...

Osama Bin Laden – Britain and the USA in Iraq as through television reportage – camera only inches from the screen

A white screen marked only by a scratch running across clear celluloid activates an intense perception of projection time. A double-projection work.

"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own...

This multi-image work is based on Le Grice's longer, color-field film-loop installation Joseph’s Coat (1973).

A one-off performance, never repeated but led to Horror Film 1.