Jeff Keen Movies

One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera...

From spinning paper guns to pulsing television screens, from zooms, crosscutting and painted film surfaces to burning paper, Jeff Keen uses all the...

Omozap is a gun-wielding wildman and Keen anti-superhero akin to The Punisher. Compulsive animation and action look to the Artwar films and videos to...

Made to represent an entire cinema programme, Meatdaze consists of six sections that include cartoons, supporting and main features.

Named after the horror film White Zombie and the rom-com Red Dust (both 1932), White Dust follows the friends and family of Keen while they explore...

This version of Artwar builds from performances with paper masks and implements and various sequences of gunfire.

Jeff Keen dons paper masks and his knitted Artwar jacket, after avoiding bombs and pacing a moonlike landscape.

Treating apocalyptic and aggressive imagery with silence and slow washes of colour, Jeff Keen exhibits and works against his usual tropes.

Produced by Jeff Keen for looping in an exhibition context.

Various different holiday locations ar joined together through the pleasures of ice cream in The Mutt & Jeff Icecream Sundae, while in Mothman the...

Silent 8mm film.

A deliberately non-synchronous film, shot in 8mm with the sound on tape. Piero Heliczer reads his poem "The Autumn Feast," and the visuals interact...

This vibrant montage of colours and positive and negative images shows Jeff Keen filtering and reflecting on his previous films.

Comics, monsters and a zombified Keen are gently desecrated in this paint-flecked film that also features a picture of Jackie Keen crying...

Footage of the first Iraq War is jarringly intercut with shots of the artist painting at the local tip and at home. Drawing upon pivotal moments in...

Includes: Stolen Moments (1972), Lone Star (1975), Godzilla – Last of the Creatures (1976) and Rosa Canina (1970s).

The Artwar loops were made for non-cinematic exhibition and go from harsh film surface noise to colour bars and other video effects filmed from the...

Jeff Keen's final film pushes his conflation of personal history and war even further than before.

Action and animation are pushed to the extreme in this frenetic film. Keen makes references to the God-like status of the director, the framed world...

The Pink Auto, screened using two projectors, is one of the very first examples of expanded cinema. Jeff Keen walks as a zombie and carry his dead...