Saul Levine Movies

I am just a rambling guy - here today, gone tomorrow. Sitting in the back of Dan's french car. French woman going to NYC for the first time....

A portrait of Amanda Katz (Posner) spinning, weaving and talking. A film about story telling rather than one that tells a story. The VHS copy of this...

Textures of some Polaroid pictures found buried under snow. Leather jacket as pool for them to be hit (by light).

Made at S.U.N.Y. at Binghamton as a class exercise, filmmaker Saul Levine performs with students who each try to mimic his previously recorded phrase...

Levine's grammar is set up to join media images without hiding the seams; media images of race and sex, love and violence, work and play, and...

Karine Albano recounts her experience with an antidepressant called Selexa.

"A journal of change in pattern of living and seeing as determined by an often misfunctioning but faithful camera."-M.K

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

Impersonations for the camera by Alison Tsoi, Nina Fonoroff, and Saul Levine. Additional camera by Silvia Gruner. (For Pelle Lowe and Luther Price)

A portrait of a mother with her arms full in the backyard bathing her twin babies as the early spring light sings and dances. Later the father cooks...

A brief documentary focused on the history of experimental Super 8mm filmmaking. Prominent figures of the "s8" boom of the 1970s discuss their work...

This film was shot right before Dwayne's stopped processing Kodachrome, and the last time I shot Kodachrome for a LIGHT LICK. It was right after...

The third theme of the series: A Few Tunes Going Out. A collection of songs, stories, scattered and interchangeable conversations during the Memorial...

One of a series of 80 minute long tapes, shot without stopping while driving around Boston after dark with the driver talking and driving while I...

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

Something of an aesthetic convergence between the diaristic autobiographies and quotidian images of Jonas Mekas (as illustrated in his Diaries, Notes...