Kurt Kren Movies

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a...

Kurt Kren records snapshots of visitors to Vienna who are photographed in front of the statue of Johann Strauss Jr.

A silent short film by Kurt Kren.

Kren in New Hampshire, New England. Together with friends he lived from the demolition of wooden houses and sale of the wood. Kren was the "nail...

Kren’s last film to include any direct reference to Otto Muehl is 12/66: Cosinus Alpha, a 10-minute film that completes a cycle of elaborate...

I took a photograph of the view out of the window and had a very large negative made from it, which I fastened to the lens hood attacement in front...

Kurt Kren short

A short film by Kurt Kren.

Kren filmed, in microscopic detail the reflection and refraction of the light in/on a glass bottle. However, the bottle itself (the whole body) is...

Kren shows the cinema (mentioned in the title) during and after film presentations. He uses single-frame and time exposures 5 to 30 seconds long....

Kurt Kren filmed pieces of feature films in the cinema without looking through the viewfinder. The missing sexual climax from the cinema was added by...

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a...

This film shows, with the use of single-frames, Kren's diary-like notes from 1968 to 1976, especially his entries about the work on the three...

Hans-Peter Hochenrath and Birgit Hein made a documentary film about me for the Saarland Network and wanted me to make a self-portrait. Instead of...

Kurt Kren films a photo which shows an SS officer standing on a town square which is littered with dead bodies.

A fragment: Impressions of the atelier of painter Wolfgang Ernst (who also worked as a composer or the films of Kren and Schmid). Unfinished due to...

A commission by Austrian TV station ORF documenting the anniversary celebration for Kunststücke.

Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static...

A homage to the Austrian experimental filmmaker Kurt Kren, his two films "1000 Years of Cinema" and "Snapspots" and his way of working; and that with...

The third of the "bad home movies". Kren moved, along with his Thunderbird from New England in winter to the warmth of Texas. Part of the film was...